Love it, and always love a good PRS. Of course, ANY PRS is a good PRS. Only feedback I'd give is to pay closer attention to timing. You're coming in a bit early in some places, and that rushes the melody. That can be hard when there's a quick burst of legato - your subconscious wants to start early to make sure you finish in time, but the reality is backwards - it's more important to START on time than finish on time. I did a version of this about 5 years ago and I don't know that I've played it since. I'd be curious to see how much better I could do at it if I relearned it now.
Love it, and always love a good PRS. Of course, ANY PRS is a good PRS. Only feedback I'd give is to pay closer attention to timing. You're coming in a bit early in some places, and that rushes the melody. That can be hard when there's a quick burst of legato - your subconscious wants to start early to make sure you finish in time, but the reality is backwards - it's more important to START on time than finish on time. I did a version of this about 5 years ago and I don't know that I've played it since. I'd be curious to see how much better I could do at it if I relearned it now.
Won't disagree that the timing isn't perfect. It's partly because I don't play it note for note the way he does and partly because in order to hear my guitar on the recording I had to turn the song down so I couldn't hear it as well as I would have liked. Of course it's also 'cause I flubbed the last bit a little . I always tend to play the tap part faster than I need to and I have to force myself to keep it steady.
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